摘要
对身体及其动作的认知与理解,于文化渊源甚深,根源于德国浪漫学派的西方文化人类学之进化论色彩强烈的人文主义文化概念,在20世纪初期有所改观。经博阿斯及其弟子们的努力,在文化人类学理论研究本身以及原住民舞蹈研究中逐渐体现出了真正意义上的人类学文化概念,也因此,非西方的原住民舞蹈才真正成为了人类学跨文化研究的对象,也促成了舞蹈人类学从舞蹈定义开始直至今日的研究。
Apperception and comprehension of human body and its movement are closely related with cul- ture. Evolutionary humanist culture of Western anthropology, which is rooted in the German romantic school, has changed in the early 20th century. Through the efforts of Boas and his disciples, in the true sense, the anthropological concept of culture has been gradually reflected in cultural anthropological theory itself and aboriginal dance research. Therefore, non - Western aboriginal dance actually become an object of cross- cultural study, and the research of the dance anthropology has developed from dance's definition to today's various research.
出处
《民族艺术研究》
CSSCI
2015年第5期12-20,共9页
Ethnic Art Studies