摘要
数字技术使传统艺术以挣脱了物质和现象表现的束缚,催生出新的艺术形式,从而引发传统艺术全方位的当代重构。数字技术消解了传统艺术的高层精英属性,赋予艺术"个性化、自由化",促使传统艺术回归大众,同时对传统艺术的书写方式、创作空间以及审美标准进行了拓展和再塑。然而,无论是数字媒体艺术还是传统艺术,艺术所展现并能打动人心的,始终只有人类在历史长河中不断积淀下来的心理本体——人的情感。
The digital technology has made the traditional art to break the shackles of the material and the phe-nomenon and give birth to new forms of art, thus lead to a full range of contemporary reconstruction of traditional art. The digital technology has eliminated the traditional art of the senior elite attributes, giving the art personalized and free attribute,and promoting the traditional art back to the public.At the same time, the digital technology has ex-panded and re-plastic to the writing style, creating space and aesthetic standards of traditional art.However, whether it is digital media art or traditional art, art shows and can move the human's heart, is people's emotion that mental ontology mankind has accumulated in the history of the long river of history.
出处
《佳木斯大学社会科学学报》
2015年第5期159-160,164,共3页
Journal of Social Science of Jiamusi University
基金
教育部人文社科一般项目:中国当代艺术中的"调侃与反讽"文化研究(14YJC760039)
关键词
传统艺术
数字技术
过度化审美
互文性
traditional art
digital technology
excessive aesthetic
intertextuality
