摘要
中原绘画历经数千年曲折发展,已然成为中国美术史上不可忽略的重要组成部分,近年来中原绘画重新焕发出新的活力,迎来了很好的发展机遇。2012年起不断有学者提出要在业已成熟的"中原画风"基础上打造"中原画派",引起各界关注和争议。回顾中原绘画的发展历程并剖析现状,会发现其没有创作风格相近、具有延续性的画家群,也没有代表群体画风的开派人物,而且人为"打造"的画派显露出很强的功利性和盲目跟风性,实则不利于"中原绘画"的发展。
The Central Plains＇ Painting has already become an indispensable part of Chinese art history after thousands of years＇ tortuous development. In recent years, the Central Plains＇ Painting starts to showing it＇s new vitality, and ushered in a good development opportunity. Since 2012, the demand for creating ＂Central Plains＇ painting school＂,which based on the foundation of the mature ＂Painting Style of Central Plains＇＂, has aroused concern and contention from all circles. Reviewing the Central Plains＇ Painting＇s development course and judging its current situation, it is obviously that, there are a few artist group having similar creative style and they are not showing the continuity, nether have any leader can represent a painting style of this group. Meanwhile, the exist of profit-focus and blind-following in man-made painting school will obviously obstructs the development of Central Plains＇ Painting.
出处
《吉林艺术学院学报》
2015年第3期31-34,共4页
Journal of Jilin University of Arts
关键词
中原绘画
画派
中原画派
Central Plains＇ Painting
Painting School
Central Plains＇ Painting School
