摘要
抗战史料以刚性记录历史,抗战小说以刚性与柔性并举复活历史。小说家、批评家、理论家等为民族生存而创作、批评与研究,小说成为与民族命运息息相关的宣传、教育与战斗的武器。他们以亲历者的身份见证历史,以战士的身份直接参加战斗,以小说家、编辑等身份进行文艺抗战,彰显中国知识分子的民族正义。读者依托生死场与火等战争意象、栩栩如生的人物群像,在"活在小说中的抗战"中一同回到生动的历史。抗战小说成为民族"生死场"的原生备忘。
The historical materials of the War of Resistance against Japan recorded the history in rigidity while the novels of this War did it in both rigidity and flexibility. Novelists, critics and theorists made artistic creation for the national survival, and novels became the weapons of popularization, education and fighting closely related to the fate of the nation. They witnessed the history in their own eyes, fought in the battle fields as soldiers and wrote about the war as novelists and editors, which revealed the national justice of Chi- nese individualists. Readers could go back to the vivid period of history by reading the novels concerned with the War of Resistance against Japan through the image of the field of life and death and the image of fire, and the lifelike characters as well. The novels of the War of Resistance against Japan became the original memo of national＂field of life and death＂.
出处
《辽宁大学学报（哲学社会科学版）》
2015年第5期46-52,共7页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
基金
2014年辽宁省社会科学基金重点项目"文艺人民性的创作导向研究"(L14AZW001)
关键词
战时
抗战小说
民族“生死场”
wartime
the novels of the War of Resistance against Japan
the national field of life and death
