摘要
文的自觉总是伴随着人的自觉,汉魏时期正是这样一个"文"与"人"自觉的时代。汉魏辞赋"辅采摛文,体物写志"的铺陈,抒怀、宣情和写志,既关系着"文",更表现了人的觉醒。不管是体物赋,还是"抒情小赋",都反映着一种作文与做人的企望、标准和理想。所谓的"魏晋风骨",可以说是不拘于形式的艺术,从中更体现出突出而独特的"艺术精神"。这种情形在《洞箫赋》、《长笛赋》以及《啸赋》和《琴赋》等文学作品中得到了充分而集中的体现,并且也可以看出,艺术与艺术精神是可以分而视之的,"艺"与"术"也是可分的,而且是有所侧重的。重艺术精神可以说是他们整体的对待艺术的基本的,甚至是根本的态度。
The stylistic awareness is always accompanied with man＇s awareness. Han and Wei Dynasties are exactly such an era in which Ci -fu （a kind of rhymed composition） embodies poets＇ thoughts, emotions, and ideals displa- ying their literary talents and more importantly their awareness. Be it an essay to describe a thing or a lyric to express one＇ s emotion, the compositions of Ci - fu all reflect the aspirations, requirements and ideals for the composition and the man. The alleged “powerful writing style from Wei and West -Jin Dynasties” can be said to be free from any re- straints in artistic forms thus to display the distinct and unique “artistic spirit” that can find examples in the literary works, such as,An Essay on Knowing Xiao （a musical instrument like a vertical bamboo flute） ,An Essay on Flute, and An Essay on Xiao （a musical instrument like a vertical bamboo flute） etc. They also show the distinctions between art and artistic spirit as there are differences between “art” and “skill”. To put highlight on artistic spirit can be said as their overall attitude towards arts and it is also the basic, even the fundamental one.
出处
《贵州大学学报（艺术版）》
2015年第4期54-57,共4页
Journal of Guizhou University Art Edition
关键词
汉魏
辞赋
艺术
艺术精神
Han and Wei Dynasties
Ci - fu （ a kind of rhymed composition）
arts
artistic spirit
