摘要
韩少功的创作始终呈现出这样的倾向:在感性的体验中融入深刻的理性批判,并对农村光怪陆离的事物持有超乎寻常的兴趣。这一风格的成因源于韩少功的知识分子姿态、个人的生命抉择以及哺育他的绚丽的楚文化环境。《山南水北》延续了这一美学风格,但在作者躬耕于乡野的文学实践中产生了新的变化。
Writing of Han Shaogong usually integrates perceptual feeling into profound rational criticism and shows an extraordinary interest in rural bizarre things. This writing style is formed due to his identity as an intellectual,personal choices made in his life,and the brilliant Chu culture nurturing him. South of Mount and North of Water is a continuation of this aesthetic style. However,new changes can be seen in this work due to the life experience in the countryside.
出处
《湖北职业技术学院学报》
2014年第4期43-47,共5页
Journal of Hubei Polytechnic Institute
关键词
韩少功
山南水北
感性体悟
理性批判
鬼魅书写
Han Shaogong
South of Mount and North of Water
perceptual feeling
rational critics
uncanny writing
