摘要
ONE October morning this year, the Zhejiang Museum of Natural History presented an extraordinary sight. An art exhibition on the second floor displayed a row of arrestingpaintings that were a stark contrast to the typical Chi nese ink paintings with their homogenous style. These were a collage of a wide variety of materials - sand, shells, straw, newspapers, cottonwoot iron tablets, woodshavings and even hair.
ONE October morning this year, the Zhejiang Museum of Natural History presented an extraordinary sight. An art exhibition on the second floor displayed a row of arrestingpaintings that were a stark contrast to the typical Chi nese ink paintings with their homogenous style. These were a collage of a wide variety of materials - sand, shells, straw, newspapers, cottonwoot iron tablets, woodshavings and even hair.
