摘要
陶瓷修复史是中国陶瓷史和手工艺史重要内容之一。随着制瓷的发达和藏古瓷之风的盛行,陶瓷器修复在明清时期发展出适用各阶层需求的多样工艺。至乾隆时期,酷爱陶瓷的清高宗更是直接指示了宫廷陶瓷的修补、修复和修整。本文界定了乾隆时期清宫瓷器修缮的范围概念,试图分析以《活计档》为主的清宫档案,与传世实物相印证,还原当时陶瓷器修复的工艺方法、步骤过程,以及修复地点和工匠的情况。通过修补痕迹和工艺细节,修正和补充了对部分清宫藏高古瓷器的认识。乾隆皇帝对不同的陶瓷器选择了迥异的处理方式,体现其审美好恶、品鉴素养和性情意识。
History of ceramic restoration plays a crucially important role in the development of ceramics and craftsmanship since the ancient time.As prosperity of ceramic manufacture and antique trade, restoration skills became highly diversified with variations according to the different demands of society values. In the Qing Dynasty, emperors were fond of ceramic collection, and specially conducted the repair and restoration process of royal porcelains.Combining research on the relics handled from royal palace with historical documents such as Huojidang （document of imperial court handicraft work） and the poems which Qianlong wrote, this article defines the concept and scope of royal porcelain restoration during the Qianlang period,aiming to reappear the scene of royal ceramic restoration, detailed techniques applied whole process in steps,the restoration sites and location, as well as information on the repairmen. Moreover,some opinion about history of royal ceramic in Qing Dynasty will be corrected and supplemented through analysis on restore marks and technical details .The different approaches Qianlong were choosing for various items, not only reflects the royal aesthetic sentiment, but also his personal artistic accomplishment and consciousness.
出处
《南方文物》
2014年第4期139-147,138,共10页
Cultural Relics in Southern China
关键词
乾隆
活计档
陶瓷修补
盎口边
粘结剂
仿古
Qianlong emperor, Huojidang, ancient ceramic restoration, metal edge, adhesive, arehaize
