摘要
本文在阐释罗汉图像流行的宋代语境基础上,解析了宋代刘松年、李嵩等画家所作罗汉图像中的家具,归纳了宋代罗汉图像中家具的基本特征,认为其中的奇异性、现实性与文人性是并存的。
This paper illustrates the Song Dynasty when arhat＇s image caught on, explains furniture in the picture of athats painted by Liu Songnian, Li Song and other painters and concludes their basic features, suggesting that their singulatiy, reality and literary character are coexist.
出处
《创意与设计》
2014年第5期28-33,共6页
Creation and Design
基金
邵晓峰主持的江苏省教育厅2011年度高校哲学社会科学基金项目<宋代佛教家具研究>(项目编号:2011SJD760023)的阶段性成果
关键词
宋代罗汉图像
家具
奇异性
现实性
文人性
arhat＇s image of Song Dynasty
furniture
singuiatiy
reality
literary character
