摘要
十七年时期的中国城市呈现为特殊的发展形态。如果从城市景观的表现以及城市现代日常生活的建构等表层来看,此时期的中国城市电影无疑是匮乏、缺失甚至是矛盾的。但是,如果从电影的深层结构来分析,就会发现这一时期中国城市电影发展的链条并没有被阻断,而是在思想意识、叙述立场等诸多方面充当了连接三四十年代和新时期之后两个时代的浮桥。
Chinese City Film appeared with a special form of development in Seventeen Years. From the view of city landscape and city of modern daily life, the Chinese City Films are lack, deficient and even contradictory in this period. However, analyzeing from the deep structure of the film, it is found that the development chain of Chinese City Film of this period has not been blocked, and they have been the pontoon of two times（ 1930 s,1940s and New Times） in ideology, and narrative position etc.
出处
《新疆艺术学院学报》
2014年第3期67-70,共4页
Journal of Xinjiang Arts University
基金
2013年河北省教育厅人文社会科学研究项目重点立项课题"十七年时期(1949-1966)的中国电影批评体系建构研究"(SD134011)的研究成果
关键词
十七年时期
城市电影
匮乏和缺失
想象
浮桥
Seventeen Years
Chinese City Films
Deficiency and lack
Imagination
Pontoon
