摘要
1922年,徐卓呆在《游戏世界》杂志上相继发表了《虚饰家》《人财两得》《卖卜者》《王子何在》四篇喜剧。这些剧作在内容上侧重于表现都市生活,在艺术上具有夸张、巧合、陡转等喜剧技巧运用娴熟,戏剧情境构设巧妙等特征。它们既是研究五四前后新剧滑稽戏审美特征的重要样本,也是研究现代喜剧发展历程的有效样本。因此,挖掘整理徐卓呆的喜剧创作,对于丰富中国现代喜剧史研究当有所裨益。
In 1922,the four comedies by Xu Zhuodai came out on the journal of The Game World,including Deceiver To Get Both the Man and His Fortune,The Fortune-Teller,and Where is the Princess,In 1922,the four comedies by Xu Zhuodai came out on the journal of The Game World ,including Deceiver To Get Both the Man and His Fortune , The Fortune-Teller,and Where is the Princess ,which put much focus on the city life ,make a flexible use of the comedic skills of exaggeration ,coincidence and abrupt changes and so on ,and build a very wonderful comedy situa-tion .These works can be taken as the important samples to study the aesthetic characteristics of comedies during the period of the May 4 Movement of 1919, and also be regarded as the good models for studying the development process of modern comedies .Therefore ,it will greatly benefit the historical research of modern comedy in China by making an exploration into Xu Zhuodai ’s comic plays.
出处
《河南科技学院学报（社会科学版）》
2014年第9期54-56,共3页
Journal of Henan Institute of Science and Technology
