摘要
明清传奇戏曲特殊文体的"四节体",打破了一人一事的传统模式,将传奇情节分为若干节段,藉以完成传奇戏曲主题思想的阐述。这一特殊文体现象的背后,隐含着时代推动与文体观念的变革,具体体现在"寓言体"创作方式的改变、传奇杂剧文体之间的破体现象、传奇戏曲叙事模式的突破等。"四节体"的出现具有文体突破革新意义,丰富了传奇戏曲文体的风貌,但同时又是文人的自我游戏之作,体现出案头之曲的创作趋向。
The four-section style was a special phenomenon of Ming and Qing Dynasties legendary drama, which broke the traditional model of one thing. The legend story was divided into several segments to complete the legendary drama theme exposition. Behind this special style phenomenon, the implied age promote to stylistic concept of change, reflected the“fable”the creation mode change, the legendary drama style between the broken body phenomenon, and legendary drama narrative mode of breakthrough. The Section four style was a stylistic breakthrough innovation, which enriched the legendary drama stylistic features, it was also the self of the game for the literati, reflecting （reflecting） the tendency of song writing desk.
出处
《中南大学学报（社会科学版）》
CSSCI
2014年第4期126-130,共5页
Journal of Central South University：Social Sciences
基金
教育部人文社科项目"明清传奇戏曲文体观念与文体嬗变研究"(12YJC751076)
关键词
明清
传奇
“四节体”
the Ming and Qing Dynasties
legendary drama
Four-Section style
