摘要
文章从接受美学的召唤结构层面比较了中国传统文论中的意境和意象两个独特范畴的共同性和差异性。作者认为,作为召唤结构的意境和意象存在相同的“文心”。它们都源于“天人合一”的哲学精神,具有情景交融的共同素质和非现实性审美特征。但是,两个各自不同的范畴又具有各自独特的规定性内涵及审美规律。文章从范围的大小、意蕴的多寡、形象的虚实、和读者审美感受的方式上作了比较和剖析。
From the view of the appellstrustur structure in the level of acceptive aesthetics, this thesis concentrates on the differences and similarities of the images and artistic conceptions through the comparison of the two in the Chinese traditional literary theory. There exist in the images and artistic conceptions in the appellstructur structure some common characteristics which are based on the philosophic spirit 'Nature and Man are combined as one'. The characterised common features of the images and artistic conceptions are melted in the emotion, the situation and the unrealistic asethetic appreciation. However, these two conceptions respectively have their own stipulated connotations and their aesthetic appreciation laws. This thesis tries to make the analysis and comparison between the bigness and smallnese of the range, the richness and plainness of the artistic conception, the emptiness and actualness of the images and the ways of readers' aesthetic appreciation.
出处
《韩山师范学院学报》
2000年第1期21-26,共6页
Journal of Hanshan Normal University
关键词
召唤结构
意境
意象
诗学理论
中国
appallstructur structure
artistic conception
image
differences and similarities
