摘要
何其芳的诗歌理论批评延续了自五四以来中国新诗学的学术传统,在中国新诗现代化的转型时期具有桥梁的作用。在诗歌本质上,何其芳提出了具有代表性的观点,但其中存在的问题和不足需要进一步的深入研究和完善。现代格律诗理论是何其芳对中国新诗学的独特贡献,但尚未解决节奏理论的关键问题;同时,他把新诗的出路仅归于形式本身,具有明显的弱点。在新诗的批评实践中,何其芳给我们提供了一些诗歌批评的基本规范,即遵从诗歌艺术的基本规律,客观,兼容,提倡学术批评风范和独立批评的人格精神。
He Qifan's Criticism about Poetic theory, the continuation of academic tradition of the study of Chinese new poems since May 4th Movement, serves as a bridge in the transformation of Chinese new poems into modernization. He puts forward a representative idea about the essence of poetry. However, there are some problems and weak points which need further study and perfection. His unique contribution to the study of Chinese new poems is his theory of modern metrical poems because he argues that the way out of new poems lies in the form itself. This is a clear weak point. Anyway, his practice of criticizing new poems provides some basic norms of poem criticism, i.e. following the law of poetic art, criticizing poems objectively, hearing different opinions, and advocating the style of academic criticism and independent personality of criticizing.
出处
《重庆三峡学院学报》
2002年第2期38-43,共6页
Journal of Chongqing Three Gorges University
