摘要
本文对加缪小说的话语结构方式进行了透视性分析 ,加缪艺术话语本身即是荒谬艺术领域本身的表达。这荒谬的表达正是他对他的艺术家角色和小说本身的反叛 。
The writer concludes that when reading Camus',what is meaning-full is that facing absurdity - the modern self destiny,Camas uses one unmatchable existing attitude to create a living art in the disastrous times and then raises the human tragic spirits to a summit?While coinciding with the clay,the words is our original and final love.
出处
《荆州师范学院学报》
2002年第1期118-120,共3页
Journal of Jingzhou Teachers College
