摘要
作为 2 0世纪 3 0年代中国新感觉派的开路之师 ,刘呐鸥的小说在以“丑”为审美主题的开拓上 ,在表现现代都市人的物化的处理上 ,在追求瞬间感觉的艺术技巧的探寻等方面与日本新感觉派有着千丝万缕的联系。但刘呐鸥的小说缺乏日本新感觉派小说的异质性 。
Liu na ou is a first Chinese style of new sensation author. His novels have countles ties relation with Japanese style of new sensation: I. carve out as 'uglily' scan theme. II. dispose of man's changing thing im modern city. III.scout artistic skill in sensual art. But Liu na ou is short of Japanese style of new sensation's heterogeneity, and no theoretics groundwork.
出处
《嘉应大学学报》
2002年第2期76-79,共4页
Journal of Jiaying University
关键词
刘呐鸥
日本新感觉派
物化
异质性
Liu na ou
Japanese style of new sesation
Change thing
Heterogeneity