摘要
福州十番是流传于福建省福州附近地区的一种民间器乐合奏形式。福州十番一般分为两类 ,一类是只用打击乐器演奏的“清锣鼓” ,另一类是用民间管弦乐器加上打击乐器演奏的“丝竹锣鼓”。本文主要是对“丝竹锣鼓”的结构形式进行研究 ,通过对几首代表性十番曲的分析 ,我们可以发现 ,“丝竹锣鼓”的曲调主要来源于曲牌、小调、哗牌等。曲牌是流行于当地的民间乐曲 ;小调是当地的民间小调 ;哗牌是当地流行的一些唢呐曲。“丝竹锣鼓”的曲式结构多为一段体、二段体、三段体及多段体形式 ;调式多为“正宫调” (即do =G)及其同宫系统的各调 ;节拍板式多为一板一眼的二拍子 ;速度一般是先慢后逐渐加快 ;配器手法主要是齐奏 ;旋律进行以级进为主 ,乐段内常以“起、承、转、合”的发展原则安排乐句 。
Fuzhou Shifan is a kind of instrumental ensemble played by folk music instruments. It spreads around the nearby areas of Fuzhou in Fujian Province. Fuzhou Shifan can generally be divided into two varieties.One kind is played only by percussion instruments and we call it 'Qing Gong and Drum'; the other is performed by the combination of the national orchestral music instruments and percussion instruments,and we call it 'Sizhu Gong and drum'.Through the analysis of several pieces of typically traditional music, we can find that the melody of 'Sizhu Gong and drum'mainly originated from Qupai (the names of the tunes to which Qu are composed ), A minor and Huapai ,etc. Qupai is the spreading local folk music ; A minor is the local folk ditty;Huapai is some spreading local music played by Suona horns.Most of the music form of 'Sizhu Gong and drum'are single or double or three multi periods, most of the modes are G modes of ancient chinese music, most of meters are duple beats, at first the speed is generally slow, then it accelerates; the methods of dubbing music instruments are mainly playing in unison; the melodies are developing mainly in grades; in the periods the phrases are often arranged in the principle of'introduction elucidation of the theme , transition to another viewpoint and summing up', and the repetition of the same four bar phrases is frequently used.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2002年第2期119-124,共6页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
福州十番
丝竹锣鼓
结构形式
Fuzhou Shifan
Sizhu Gong and drum
The configuration analysis
