摘要
小说集《拳圣》中的三篇小说《哀伤自行车》、《天知地知》和《贫嘴张大民的幸福生活》显示出刘恒视域中的苦难本体和苦难叙事破涕为笑的演变过程。这种演变在一定程度上成为中国 2 0世纪 90年代小说有关苦难叙事的文化心理的一个镜像。
The three stories, 'Miserable Bicycle','Only Heaven and Earth Know'and 'The Happy Life of Zhang Damin' in the collection 'Sage of Fists' reveal the nature of sufferings in Liu Heng's literature world and mark his evolution of narration from misery to smiles. The change, to some extent, reflects an image of cultural psychology found in the narrated miseries in the novels of 1990s in China.
