摘要
陈染的小说以鲜明的女性主义立场，表现出了鲜明的性别特征和意识倾向--从个体生命体验出发，逐渐逃离男权文化中心对女性既定角色的阴影；在拆解与颠覆男权中心与父权的神话的同时，在绝望与痛楚的叙事中传达到“禁中守望者”的话话，即构建女性文化自救的神话。
Based on faminism,Cheng Ran's novels are characterized by gender distinction and consciousness inclination. Through individuals' life experience, the gradual extrication of women from the shadow of a patri- archy culture is seen. With the collapse of malesupremacy and patriarchy, a myth of woman's self-salvation culture is constructed.
出处
《株洲师范高等专科学校学报》
2002年第1期42-45,共4页
Journal of Zhuzhou Teachers College
