摘要
“诗中有画”不是“艺术论的认识迷误”，而是艺术形态学的一个重要问题。它是两种艺术在意境、情趣上的有机化合，异迹而同趣，相异而相通。诗中有画还是诗，而不是画，不能用诗的历时性来“剥离”其绘画性的美学蕴涵。诗中有画不是“不包含价值判断”的中性概念，而是肯定性的审美判断。它是一种成熟的艺术境界，熔诗情画意于一炉，以其出位之思，取得超媒体的艺术效果。
The concept “painting-in-poetry' is not a misunderstanding of artistic theory, but an important fact of art morphology. It is an organic combination of the two forms of art in terms of artistic mood and flavour, not a mere put-together of the two in form. A painting and a poem are undoubtedly different from each other in form, but they are actually the same as far as artistic mood and flavour are concerned. The painting in poetry is not painting in fact, but still poetry in form and meaning. We can not, therefore, deny, from the diachronic point of view, that poetry has no aesthetic features shared by painting. Painting-in-poetry is not a neutral concept which contains no value judgement, but rather a positive aesthetic judgement in itself. The author of this paper holds that the concept, “painting-in-poetry', refers to a mature state of artistic attainments and that it is an unusual aesthetic experience, which combines poetry and painting organically and produces an ultramedia artistic effect.
出处
《安徽师范大学学报（社会科学版）》
2001年第4期524-530,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
