摘要
《诗经》中的兴象依附于上古诗者的认知方式而存在 ,并随认知方式的演变而演变。认知思想的终结即是艺术形式的终结。意象、意境是中国上古认知的伟大成果 ,也是整个古代诗形式的终结。
The form in the Book of Odes exists relying on the way of cognition of ancient poets and it develops with the evolution of the way of cognition. Artistic conception is a great achievement in the cognition of ancient China and also is the ending of the forms of ancient poems.
出处
《渝州大学学报（社会科学版）》
2001年第6期88-91,共4页
Journal of Yuzhou University(Social Sciences Edition)
