摘要
台湾文坛散文批评滞后 ,6 0年代余光中的《剪掉散文的辫子》打破沉闷空气 ,成为散文改革的宣言书 ,倡导现代散文的新范本 :讲究弹性、密度和质料 ,提倡以“感性”与“知性”相济做为散文审美的标准。
Prose criticism had been backward and stagnant in the literary arena of Taiwan until the publication in the sixties of Jian Diao San Wen De Bian Zi by Yu Guang_zhong. The book has since cleared away the oppressing atmosphere and become the manifesto for prose reform, thus initiating a new model of modern prose characterized by elasticity, density and texture and recommending 'perception' and 'cognition' as prose aesthetic standards.
