摘要
康德美学所提出的“审美无利害性”概念在理论上给当时的文学艺术极大的启发 ,文学艺术转向自身的价值追求 ,开创了西方现代批评的先锋。文中通过分析康德对审美无利害性的阐释 ,以及唯美主义思潮是如何吸收康德美学思想、进而提出“艺术无功利”和“为艺术而艺术”等惊世骇俗的理论口号 ,并厘清它与康德美学的关系 ,从而更准确地把握这一文艺思潮的历史意义 ,及其在文学史中应有的地位。
Kant's aesthetic idea that aesthetic concerns no utility gave a great inspiration to literary and art world. They then changed their traditional way of criticism to literary and art's own value. Aesthetic concerns no utility, then literary and art concerns not anything else but their own value. From which aestheticism got its slogan -- art's for art's sake. So to discuss the relationship between Kant's aesthetic and aestheticism give us some new understanding to both of them and their historical meaning.
