摘要
“诗无达诂”是中国古代文学鉴赏和文学批评所遵循的一个原则，也是文学接受活动、文学阐释活动中客观存在的普遍现象。“诗无达诂”对汉代经生在《诗经》的阐释中泥于字面的、牵强的阐释提出反拨，指出阐释的相对性和灵活性，从而为阐释文学作品的特殊性奠定了基础。
No forced interpretation was a principle followed in literary appreciation and literary criticism in ancient China, as well as a universal phenomenon existing in literary receptive activity and literary interpreting activity. It set to right the forced interpretation practised by some classics scholars who interpreted The Book of Songs in the Han dynasty. As it pointed out the relativity and flexibility of interpretation, it laid a foundation for the particularity of interpretation of literary works and thus made interpretation significant of criticism. \ \
