摘要
从历代陶瓷观音造像题材、样式与风格的变迁中不难看出,观音信仰自传入中国起便不可避免的开始经历本土化的调整与适应,杂糅了儒、道两种信仰,混合了多种世俗文化因素,最终形成独具特色的中国观音信仰体系。本文通过梳理宋元明清的陶瓷观音造像及相关问题,研究观音信仰在中国的传播过程及发展脉络。
Based on the ancient ceramic statues of Guanyin theme, pattern and style changes, it is not difficulty to know that, since the Guanyin beliefs was introduced to China, they have been through the inevitable adjustment and adaptation of localization, and a mixture of Confucianism and Taoism beliefs, as well as a mixture of multiple cultural factors. Ultimately, the unique system of Chinese Guanyin beliefs formed. Through analyzing the ceramics Guanyin statues and related issues of the Ming and Qing Dynasties, this research studied the process of spread and development on the Guanyin beliefs in China.
出处
《南方文物》
2014年第2期125-135,共11页
Cultural Relics in Southern China
关键词
陶瓷
观音造像
信仰民俗
Ceramics Guanyin statues Belief folk
