摘要
研究阿兰·罗伯-格里耶(1)的"写物主义"真实观,把握作家在真实性相标榜的前提下,坚持后现代写作不确定性创作原则的立场与态度,必须从作家的小说文本和文论入手,分析其在人物、故事、介入、形式和内容等关键词上的理论表述,并对应到小说形式上的探索与革新。在这样的基础上,认识作家在文本实验的过程中所开创的写物主义的创作模式,特别是在作品中所表现出来的将全能的人向暂定角色转变,形成人物的模糊性;人物描写向事物描写转变,造成事物的浅表性;单一意义向多重意义转变,导致解读的歧义性;单线叙述向多头叙述转变,构成情节的复杂性等后现代特性。从理论与实践上的结合上厘清作家与传统现实主义精神在思想认识上的界限与鸿沟,把握作者后现代写物主义真实观的准确内涵。
On the research of Alan Rob Gerry＇s literary view of writing contents on the premise of writer＇s authenticity,the writer not only insists on his positions and attitudes towards the uncertainty during the creative process of the post-modern writing based on the writer＇s novel text and literary theory,but also has his own explorations and innovations in the theoretical expressions of the keywords which is related to the equivalent forms of novels,concerning the anlyses of several aspects,such as the writing characters,stories,the introduction,the form and the content.Under this circumstance,it is necessary to be familiar with the creative modes of writing contents in the course of text experiments of the writers,especially the reflection presenting in the form of the versatile persons transforming to temporary roles in order to form the characters of ambiguity;the description of characters switching to the descriptions of things to form the superficial description;the meaning shifting from single to multiple so as to understand the ambiguity and the narrative shifting from single to multiple to constitute the complexity of the plot etc.With the combination of theory with practice clarifing the lines and gaps between writers and the spirits of traditional realism in the recognition of the thoughts,the readers can accurately understand the connotation of authenticity of writing contents in post-modern works.
出处
《成都理工大学学报（社会科学版）》
2014年第3期112-118,共7页
Journal of Chengdu University of Technology:Social Sciences
关键词
真实性
不确定性
过时的概念
authenticity
uncertainty
outdated concepts
