摘要
"气"概念根植于本体论与人性论,是中国传统美学的核心范畴。借鉴传统书、画论,从天下一气、气脉、内在之气、气盛言宜、气之养、气韵生知、风之气等几个方面对北京故宫与印度经济管理学院的规划设计进行评介,力图得到有别于西方形式美原则的具有中国文化特质的美学判断,为当代语境下的民族化建筑提供新的思路。
The concept of ＂Qi＂ is rooted in the philosophical ontology and anthroposophy,and it is also the core of Chinese traditional aesthetic category.With the reference to the theory of calligraphy and painting,this paper comments on the planning and design of the Forbidden City of Beijing and India Institutes of Management from ＂the world of a spirit＂,Qi channel,the inner of Qi,appropriateness and consistency,the cultivation of Qi,vivid charm,the wind of Qi,and so on.It tries to obtain an aesthetic judgment with Chinese cultural characteristics,which is fundamentally different from western form aesthetic principles,thus providing new thinking on nationalistic architectural design in contemporary context.
出处
《新建筑》
2014年第1期154-157,共4页
New Architecture
关键词
气
气脉
内在之气
北京故宫
印度经济管理学院
Qi
Qi channel
the inner of Qi
the Imperial Palace in Beijing
India Institutes of Management
