摘要
东亚地区经历过的现代性似乎总纠结着3种冲突又相互影响的概念——"启蒙、认同与想象",它们隐喻地形成"太阳、月亮与星星"的三轴论述,以建构在此地区新世界秩序的建筑发展观。在过去一个世纪台湾承受了帝国主义/革命、殖民主义/"国家主义"和专制/民主等遗产,但假如追溯到1661年郑成功打败荷兰人而收复台湾,开启汉人来台治台的局面,则可见到更完整的台湾历史视野。Z·鲍曼主张将文化论述为"概念、结构与实践",这可提供一观念架构以对东亚区域的台湾建筑发展进行再诠释。近期台湾建筑发展,在较开放自由的社会条件下,应有机会找回如同当年郑成功贸易势力纵横东亚海域的活力与能量。
The modernity experienced in East Asia seems to have long been entangled with three conflicting and yet mutually affecting concepts： enlightenment, identity and imagination. They form a metaphoric trilogy. In terms of the architectural development and creation of the new world order in this region, they are the sun, moon and stars. Over the past century, the architecture of Taiwan has had an inheritance of imperialism/revolution, colonialism/ nationalism, and dictatorship/democracy. However, there was an inheritance that can be traced even further back to the 17th century when Zeng Chen-kung won the battle against the Dutch. Zygmunt Bauman＇s vision of culture as concept, structure and praxis seems to serve as a relevant framework for reinterpreting the architectural development of Taiwan in East Asian context.
出处
《世界建筑》
2014年第3期26-31,125,共6页
World Architecture
关键词
现代性
启蒙
认同
想象
modernity, enlightenment, identity, imagination
