摘要
桃源是借助陶渊明之笔创造出来的民族旧梦,随着近代社会的到来,依托这个旧梦的自给自足的小农经济和田园生活遭到毁灭性的打击。"诗界革命派"作家是旧桃源的终结者,也是近代新桃源的开启者。丘逢甲家国破碎的切肤之痛更多的是愤慨于桃源旧梦的破灭;黄遵宪则因其开阔的世界眼光更加憧憬着桃源新梦的诞生;谭嗣同则带着桃源梦破的强烈忧患意识接受陶渊明,很自然地关注到了陶渊明为人和作品慷慨济世的深层内涵。
TaoYuan is an old national dream created by Tao Yuanming. As modem society comes into being, self-sufficient small peasant economy and pastoral life built on the basis have been hit destructively. The writers among ＂Revolution Sect in the field of poetry＂ are both the buriers of old TaoYuan and the builders of the new TaoYuan in the modem times. Qui Fengjia chiefly displayed his indignation with the ruin of the old TaoYuan dream in his works. Huang Zunxian mainly longed for the new start of the new TaoYuan dream because of his wide world view. Moreover, accepting Tao Yuanming with strong awareness of unexpected development Tan Sitong naturally focused on the deep connotation of his behaviors and doing greatly good to society.
出处
《铜仁学院学报》
2014年第1期17-22,共6页
Journal of Tongren University
基金
山东大学青年团队自主创新课题成果
关键词
丘逢甲
黄遵宪
谭嗣同
陶渊明
桃源
Qiu Fengjia, Huang Zunxian, Tan Sitong, Tao Yuanming, Taoyuan
