摘要
拉什在批判地继承了道格拉斯、维尔达夫斯基和贝克理论的基础上,提出风险文化的核心在于美学性的反身性和日常生活的美学化,实质就是赋予风险以美学意蕴。拉什的理论虽然具有一定的局限性,但它使得风险话语呈现出风险社会与风险文化既相互抗衡又互为促进的良性发展的局面,极大地丰富了社会理论。
Based on critically inheriting the theory of Douglas, Wildavsky and Beck, Lash points out that the heart of risk culture is the aesthetic reflectivity and the aestheticized daily life, whose substance is imparting aesthetic sense to riskl Though with certain limitation, Lash＇s theory makes risk discourse witness new developments with both competing and promoting each other between risk society and risk culture.
出处
《湛江师范学院学报》
2014年第1期125-127,132,共4页
Journal of Zhanjiang Normal College
关键词
拉什
风险文化
美学
Lash
risk eulture
aesthetic
