摘要
20世纪中叶解构主义思潮出现以来,解构主义在全球范围内,对当代社会造成了广泛的冲击.解构主义建筑思潮,改变了人们对传统建筑空间、建筑表皮形式的经典认知,解构主义把所谓完整、和谐的建筑整体作解构处理,然后重新组合,创造一种感性的、破碎的空间和形态.以深圳市当代艺术馆与规划展览馆为代表性建筑,展开了对解构主义建筑创作手法及形象特征的理性探讨.
Since the emergence of deconstruction ideas in the mid-twentieth century, the deconstruction caused wide spread and world wide shockon contemporary society, whichchanged the perception of traditional architectural space and architectural form in a classic and epidermis cognitive, deconstruction sees the so-called complete and harmonious whole building as a deconstruction process, and then reassembled to create an emotional broken space and form. In this paper, taking the Contemporary Art Museum of and Planning Exhibition Hall of Shenzhen as representative buildings, it aims to launch a rational inquiry of deconstruction building creative approach and image characteristics.
出处
《湖南城市学院学报（自然科学版）》
CAS
2013年第4期35-37,共3页
Journal of Hunan City University:Natural Science
关键词
解构主义
建筑
形式特征
deconstruction
construction
formal characteristics
