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红河哈尼梯田文化景观的形与神 被引量:6

The Form and Spirit of the Cultural Landscape of Honghe Hani Rice Terraces
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摘要 在2013年6月世界遗产委员会第37届会议上申遗成功的"红河哈尼梯田文化景观"向世界展示了其"突出普遍价值"、独特性和唯一性。文化景观类型的世界遗产不仅包括外在的、有形的物质要素,而且蕴含内在的、无形的文化内涵,两者密不可分。物质要素是文化景观的"形",文化内涵是文化景观的"神",文化景观形神兼备、以形传神。文章从"森林—村寨—梯田—水系"四素同构的景观系统解析了红河哈尼梯田文化景观物质要素的"形",以梯田稻作为核心的农耕文化为切入点分析了其文化内涵的"神",并分析了两者之间的关系。在此基础上,剖析了红河哈尼梯田文化景观之所以列入世界遗产的最根本原因。通过解读红河哈尼梯田文化景观的本质,可以为其保护、可持续发展提供参考依据。 During the 37th session of the UNESCO World Heritage Committee in June,2013,the Cultural Landscape of Honghe Hani Rice Terraces in China was inscribed onto the well-regarded World Heritage list and demonstrated its OUV,distinctness and uniqueness towards the whole world.The World heritage of cultural landscapes includes both extrinsic,visible mater structure and intrinsic,invisible cultural connotation.The ma-ter structure is the Form of cultural landscape while the cultural connotation is its Spirit.Cultural landscape con-sists of the “Form and Spirit”and the Spirit demonstrates its Form.The Form and Spirit was analyzed from an integrated four-fold landscape system of forests,water supply,terraces,village and farming culture of terraces rice planting respectively.And then the connection between mater structure and cultural connotation was ana-lyzed.Based on the above analyses,the ultimate reason for Honghe Hani rice terraces to become the world her-itage was analyzed.The paper contributes to the protection and the sustainable development of Honghe Hani rice terraces through analyzing its essence.
作者 高凯
出处 《昆明理工大学学报(社会科学版)》 2013年第6期91-97,共7页 Journal of Kunming University of Science and Technology(Social Sciences)
基金 云南省科技厅应用基础研究计划项目"基于3S技术的高原旅游城市绿地生态网络研究"(2011FZ026) 云南省教育厅科学研究基金项目"基于3S技术的高原旅游城市绿地生态网络规划研究"(2011Y397)
关键词 文化景观 哈尼梯田 梯田文化 世界遗产 哈尼族 cultural landscape Hani Rice Terraces rice terraces culture world heritage Hani minority
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