摘要
中国陶瓷器物有尚天趣一说,天趣是除去人为的技术与技法,在自然烧造中形成的材质不同程度的发挥,是一种不可复制与模仿的偶得,也是器物引人称奇的妙处。如窑变。然而,装饰,则是一种在工艺美术的范畴内,表现人工匠心的一条法则。装饰也是陶瓷艺术的灵魂语言,不论是图案与绘画,相对于器物造型本身来讲,都可以纳人装饰的范畴中,装饰可以使得器物活化,使得平常的器物在装饰的作用下变得生动活泼,带有生活的趣味。本文从装饰的角度出发,以装饰性为主要探讨对象、来研究装饰在陶瓷艺术中的意义。
Chinese ceramic artifact is highly regarded as the interest of nature,which means to remove artificial technology and techniques and form natural material by nature fire, which is a replicable and imitation by accident,it also shows the unique of the amazing artifacts,such as the Furnace Transmutation.Nevertheless,decoration is a law which belongs to arts and crafts.Also,decoration is the soul language of ceramic art,regardless of design or painting.When it comes to modeling objects,it aiso belongs to the field of decoration:decorative objects can activate the object,making the usual role of decoration abjects livelier with fun with life.Regarding decoration as the main objects,this article studies the decorative arts in ceramics significance from the point of desperation Keywords:decoration;;decorative;;ceramic art
出处
《上海工艺美术》
2013年第4期99-101,共3页
Shanghai Arts & Crafts
