摘要
艺术符号这个概念是由苏珊·朗格提出的。朗格认为艺术符号是一种具有表达情感功能的形式。这里的艺术符号不是我们所熟悉的那种一般广义的符号,它所包含的真正的东西实质是一种意味,是艺术家的作品所呈现的不可言说张不可表达出来的特殊意味,观者也许能在作品形式之中直接看出或者直觉体会出。然而有很多人认为无法定义一个人的艺术符号,也没有所谓的一成不变的个人符号,因为一个人随着时代的变迁和他阅历的增长,他的个人艺术符号肯定会不同。而在此,本文研究并不是刻,意去定义符号标准每个人,使其脸谱化,而是尝试运用心理美学理论和比较方法于玻璃艺术,深入分析、推理城璃创作中个人艺术符号的产生和规律,通过探索玻璃艺术创作形式与意义之间的关系,来促进我们挖掘出更多的新题材和为玻璃艺术的学习开拓出更多的思考方法。
The concept of art symbol is put forward by Susan Langer. Langer thinks the art symbol is a kind of emotional expression form.Art symbol here is not familiar to the general symbol.The essence of what it contains is emotional appeal.The emotional appeal of the artist's works can not put the special means into words.The viewer may taste in the form of work directly.However,there are a lot of people think,not the definition of personal art symbol.As the experience of growth and times changes,the personal art symbol will be change.Here,this article isn't defined the symbol of everyone painstakingly.But 1 try to use psychological aesthetics theory and comparative method in glass art,in depth analysis and find the regularity of personal symbol in glass art creation.By exploring the relationship between glass art form and meaning,we can promote our new themes and dig out more tor glass art learning to develop thinking more.
出处
《上海工艺美术》
2013年第4期76-78,共3页
Shanghai Arts & Crafts
