摘要
西方新兴的认知诗学重视读者阅读,秉承西方源远流长的阐释学传统与接受美学思想;中国古典诗学蕴含丰富的读者接受思想,从先秦两汉至明清形成了一部有着内在逻辑线索的接受阐释史。本文以接受美学为参照,比较西方认知诗学与中国古典诗学,以期二者在彼此的对话中澄明自身。
Cognitive poetics as a new born in western poetics pays great attention to readers＇ reading, following the long tradition of hermeneutics and receptive aesthetics in the west. Chinese classic poetics, which is rich in its discussions about reader reception, has an internal logical line of receptive history from Pre-Qin Period and Western and Eastern Han Dynasties to Ming and Qing Dynasties. In this article western cognitive poetics and Chinese classic poetics are compared with the reference of receptive aesthetics so that we can have a better understanding of each through their dialogue.
出处
《西安外国语大学学报》
2013年第4期25-28,共4页
Journal of Xi’an International Studies University
基金
国家社会科学基金项目"中国古典诗词中的隐转喻现象"(项目编号:09CYY003)
中国科学院大学校长基金"西方认知诗学与中国古典诗学的比较研究"(项目编号:Y35102QN00)的阶段性成果
关键词
认知诗学
中国古典诗学
接受美学
cognitive poetics
Chinese classic poetics
receptive aesthetics
