摘要
本文通过对明、清十三种琴谱中的"历代琴式"中虞琴式、伶官式、师旷式、凤素式、凤势式五种琴式与流传下来古琴实物的对比,说明流传下来的古琴琴式与"历代琴式"是一致的。同时,作者运用琴谱中"历代琴式"的记载,简单分析了故宫博物院藏落霞式"可伴"琴,证明落霞式琴是明代才有的。
This thesis makes a comparative study between the stringed plucked instruments handed down from the ancient times and those like the ‘Yuqin-shaped', ‘Lingguan-shaped', ‘Shikuang-shaped', ‘Fengsu-shaped' and ‘Fengshi-shaped' instruments recorded in 12 music scores of the Ming and Qing dynasties, concluding that they share the same shape individually and the Luoxia-shaped stringed plucked instrument collected in the Palace Museum was not made until the Ming dynasty.
出处
《故宫博物院院刊》
CSSCI
北大核心
2013年第6期139-146,161,共8页
Palace Museum Journal
关键词
明清琴谱
历代琴式
鉴定作用
明代
落霞式
music scores of the Ming and Qing dynasties
the stringed plucked instrument shapes of different ages
appraisal function
the Ming dynasty
Luoxia-shaped stringed plucked instrument
