摘要
北京诗坛双子星座王家新和西川以其独特的诗歌创作及诗学思想,向人们呈现了别样的诗歌美学境界。这种独特性体现在他们的诗学及创作带有较为明显的精神超越性和信仰性追求,但是其诗作和诗学思想又具有较为深邃的现代主义风格。因此,作为1990年代以来的代表性诗人,他们较好地把现代主义艺术创新与神性信仰结合起来,从而接续上了20世纪三、四十年代中国现代主义诗学的优良传统,又开拓了诗学的新境界。这可谓当代中国的现代主义文学汲取神性信仰的价值,以救治文学缺钙症的艰难努力的表现。
With their distinctive poetic creation and poetic thought, Beijing poetic Gemini Wang Jiaxin and Xi Chuan show their art of poetry to people in the aesthetic realm of poetry. Their specificity is reflected in their poetics and creation displaying more obvious spiritual transcendence and pursuit of belief, and their poems and poetic thoughts also have more profound modernist style. Therefore, as the representative poets since the 1990s, they combine modernist art innovation and divine faith in a fairly good way. Thereby, they can go on with the Chinese modernist poetic tradition in the 1930s and 1940s, and open up a new realm of poetics as well. This can be regard as a reflection of hard efforts that contemporary Chinese modernist literature learns the value of deity belief so as to treat the disease of calcium deficiency.
出处
《温州大学学报（社会科学版）》
2013年第6期12-20,共9页
Journal of Wenzhou University：Social Science Edition
基金
教育部人文社会科学研究规划项目(09YJA751080)
浙江省社科联课题(2010N97)
关键词
神性信仰
当代中国现代主义诗学
王家新
西川
Divine Faith
Contemporary Chinese Modernist Poetics
Wang Jiaxin
Xi Chuan
