摘要
20世纪30、40年代之交,徐迟于香港写作和发表了不少与战争有关的诗歌和诗论作品。这些诗歌反映出唯美主义的底色,取得了较高的艺术成就。他的诗论提出要放逐抒情,将诗歌当作宣传的工具,以表现时代为自身的道德。在他的诗歌创作与理论宣扬二者之间存在艺术与政治的矛盾。为了摆脱这一矛盾,安放好诗人的"自我",他追求思想进步,但却给此后作品的诗意带来了损害。
At the turn of 1930s and 1940s, Xu Chi wrote and published many war- related works of poetry and poetics in Hong Kong. These poems reflect the aesthetic background, and achieved high artistic achievement. His lyrical poetics proposed to exile the lyric and regard the poem as a propaganda tool to show the times for their own morals. In his poetry writing and poetic theory there exist contradiction between art and politics. Ira order to get rid of this contradiction and put his poet serf at a good place, he pursued progressive thinking, but this brought damage to the poetic sentiment in his poetic works.
出处
《怀化学院学报》
2013年第10期57-60,共4页
Journal of Huaihua University
基金
广东省普通高校人文社科研究一般项目(2012WYXM-0019)
华南师范大学青年教师科研培育基金项目"中国现代作家的海外书写与现代文学关系研究"的阶段性成果
关键词
战争
诗意
抒情
自我
war
poetic sentiment
lyric
self
