摘要
将中国当代旧体诗现象纳入共和国前三十年(1949—1979)的文学史视野,发现原来被"一体化"所压抑的"个人化经验"暨"艺术独创",却在陈寅恪、聂绀弩、王辛笛这三家旧体诗中保存得极丰赡且极纯粹。所谓极丰赡,是说陈寅恪的"学圣孤怀"、聂绀弩的"俳谐荒草"、王辛笛的"国史冷吟",委实写出了当代文坛难以企及的悲壮、幽默与凄美。所谓极纯粹,则说这三家旧体诗皆能在价值上凝结这一终极关怀,即诗性地安顿个体尊严于苦难。
If we put the old -styled poems by Chen Yin -que, Nie Gan -nu and Wang Xin -di into the first thirty -year literary history of P. R. China, we will discover that personality is kept rich and pure, for they display the sorrowful strength, humor and sad beauty for contemporary writers who are hard to reach. In addi- tion, they put their personal dignity into hardships.
出处
《河北学刊》
CSSCI
北大核心
2013年第6期20-25,共6页
Hebei Academic Journal
