摘要
彩绘文物的颜料分析在文物分析中占据重要的地位,在实际的应用中有多种手段用于颜料的分析鉴定,这些分析手段各有其优缺点,其中偏光显微分析(PLM)和拉曼光谱分析(RM)由于取样少、速度快、制样简单、灵敏度高等优点而在实际分析中广泛应用。本文通过对西藏采集的壁画颜料样品进行偏光显微分析、对四川广元千佛崖的绿色颜料样品进行拉曼光谱分析,以此来系统阐述这两种分析方法在彩绘颜料鉴定中的应用。
It is very important to analyze the painted cultural relic,in actual application,a variety of methods had been used to analyze and identify,these analysis means each has its advantage and disadvantage,among them,the polarized light microscope analysis(PLM)and Raman microscope analysis(RM)are been used widely with sampling less,speed quickly,sample preparation simply,high sensitivity.In this article,PLM was used to analyze the pigments of the Tibetan murals,and RM was used to analyze the green pigments of Guanyuan Thousand-Buddha Grottoes in Sichuan,so as to elaborate the two analysis method systematically on the pigment identification analysis.
作者
李蔓
夏寅
王丽琴
LI Man;XIA Yin;WANG Li-qin(College of Cultural Heritage,Northwest University,Xi'an,Shaanxi 710069,China;Key Scientific Research Base of Ancient Palychrome Pottery Conservation,SACH,Museum of Qin Shi Huang Mausoleum,Lintong,Shaanxi 710600,China)
出处
《光散射学报》
北大核心
2013年第3期268-275,共8页
The Journal of Light Scattering
基金
国家文物局文物保护课题资助(20080216)
