摘要
"乡土"文学的概念至今存在着含混之处,但是它与"权力/政治"之间的关系,仍然是其意义的一个方面。《漫水》集中诸篇所蕴含的批判,不仅指向了乡村掌管权力的人物,也指向了被权力剥夺的弱者本人。同时,它们还超出了比较单薄的"反腐文学"的路数。小说集的宝贵努力更在于:从乡土的民间,作者尽力寻觅着抗衡乡村权力政治的话语和人物。参证小说当年的类似实事和现象,读者可以真切地体会到作家创作的现实主义力量。《漫水》集呈现出了乡土记忆的开放性和纠结逻辑。它促使我们原有的对于"乡土"的许多理解,开始变得犹疑和深思起来。其中乡村人事的变迁,也增加了它的主题的隐晦意味。这一切,都源于作家王跃文对于卑微生命的悲悯。
The concept of rural literature still has its ambiguity.But the relation between it and＂power＂or＂politics＂is part of the meaning.Criticism in the story collection,Manshui,points to not only the people who hold the local power in rural areas,but also the weak that are deprived.And the stories surpass the simple style of＂Anti-corruption Literature＂.From rural folklore,the author tries to find the discourses and people that contradict the rural power politics.With some real stories presented in the novel,the readers can experience the realism force of the author.Manshui shows opening features and tangled logic,making our understandings about＂rural＂hesitated and pondered.The changes of people and stories also increase the thematic depths.All root in Wang Yue-wen＇s commiseration for the lower classes.
出处
《怀化学院学报》
2013年第8期71-74,共4页
Journal of Huaihua University
