摘要
文章以李渔、黄图珌、曹庭栋三个个案为例,通过介绍与分析他们撰写的《闲情偶寄》、《看山阁集》和《老老恒言》三部著作,来获取室内设计思想的各种信息,进而归纳出清代前中期江南文人室内设计思想的一些特点,最后指出清代前中期江南文人室内设计思想与明代中后期最大不同点,就是具有显著的务实性。
Taking Li Yu, Huang Tubi, and Cao Tingdong as examples, through understanding works Xianqing Ouji, Kanshange, Laolao Hengyan respectively ascribed to them, we get all kinds of messages upon interior design thoughts. Based on that, we further sum up some characteristics of Jiangnnan Literati＇s interior design thoughts in ear- ly and mid Qing dynasty, which differs a lot from that in mid and late Ming dynasty for its prominent practicality.
出处
《艺术百家》
CSSCI
北大核心
2013年第4期167-173,共7页
Hundred Schools In Arts
基金
2010年度江苏省教育厅高校哲学社会科学研究指导项目"明清江南文人室内设计思想研究及其启示"(项目编号:2010SJD760007)阶段性成果之一
关键词
设计艺术学
清代前中期
江南文人
室内设计思想
李渔
黄图珌
曹庭栋
Study of Design and Arts
Early and Mid Qing Dynasty
Jiangnan Literati
Interior Design Thought
LiYu
Huang Tubi
Cao Tingdong
