摘要
索绪尔把语言的研究区分为历时性和共时性,这种区分开启了结构主义研究的路径。把音乐放入结构的视角进行研究,就会涉及到音乐语言、音乐建构、音乐活动等问题。从音乐"实体"的研究,转向音乐"关系"的研究,是一个革命性的转变。本文将对共时性向度开启的音乐研究方式进行思考,同时还将关注那些诘难的声音。
Saussure differentiated linguistic study into synchronicity and dychronicity which initiated the constructural study. Studying music from constructural perspective, it would cover music language, music construction and music ac- tivities etc. It is a revolutionary shift from the study of music ＂entity＂ to ＂relationship＂. This paper analyzes the study methods of music from the perspective of synchronicity with regard to those opposing voices.
出处
《贵州大学学报（艺术版）》
2013年第2期94-97,102,共5页
Journal of Guizhou University Art Edition
关键词
共时性
音乐语言
音乐建构
关系
结构
synchronicity
music language
music construction
relationship
structure
