摘要
我国传统的民族器乐种类繁多,演奏技术个性化强,均采用简谱的首调记谱方式沿用至今。伴随民族器乐国际化的进程,民族器乐必须采用五线谱记谱,但简单的采用五线谱记谱,演奏家在读谱的过程中会出现首调、指法与固定调之间干扰的情况,影响读谱和演奏的速度。为此,根据五线谱和简谱的特点,结合不同乐器的指法习惯采用移调记谱和五线谱简谱化的记谱方式就能较好的解决这些问题。
Our traditional musical works vary and the performance techniques have unique characteristics, all of which have adopted first read spectrum. In the course of internalization, folk musical works must adopt stave method. However, with the simple stave, in the peri＇ormance, the performers will get interfered with the first tune, fingering and fixed tune, which will inevitably influence their reading and performing speed. Considering the characteristics of stave and simple musical notation, these problems can be well solved by combining transposing notation according to fingering exercises of different musical instruments and simple stave notation.
出处
《合肥学院学报（社会科学版）》
2013年第4期112-115,共4页
Journal of Hefei University:Social Sciences
关键词
五线谱
移调记谱
简谱化
首调
指法
stave
transposing notation
numbered musical notation
first tune
fingering
