摘要
针对抗日战争时期日本媒体的战争责任的问题,文章以活跃于大正和昭和年间的日本大众女作家吉屋信子各时期文学作品中的上海表象为线索,以吉屋的现地报告《战祸的北支上海行》为关注的焦点,分析了吉屋文学世界里所凝视的上海表象是"虚伪错误"的,而她提倡的中日两国通力合作的"共同幻想"也只是空洞的现实认识的记录而已。随着此种幻想的不断扩张,日本大众对已有一定倾向性的"上海负面形象"的认识也得以进一步的扩大。
In allusion to war responsibility of Japanese media during the War of Resistance Against Japan, this paper analyzes that the Shanghai representation in YOSHIYA Nobuko＇s literary world is ＂false and wrong＂ with Shanghai representation in literary works of Japanese public woman writer YOSHIYA Nobuko, who was active in Taisho and Showa periods, in various periods as the clue and her in-site report Travel to North China and Shanghai Suffering Disaster of War as the focus; the ＂common vision＂ of wholehearted cooperation between China and Japan advocated by her is just a record of hollow understanding of the reality. With the constant expansion of this vision, the understanding of ＂Shanghai negative image＂ with a certain tendencv by the public in Japan has further expanded.
出处
《浙江理工大学学报（自然科学版）》
2013年第4期637-642,共6页
Journal of Zhejiang Sci-Tech University(Natural Sciences)
基金
浙江省教育厅科研项目(Y201226109)
关键词
日本女作家
吉屋信子
上海表象
抗日战争
Japanese woman writer
YOSHIYA Nobuko
Shanghai representation
War of ResistanceAgainst Japan
