摘要
在明代繁多的传奇剧作中,沈璟的《博笑记》用二十八出叙述了十个长短不同、无内在连接逻辑的小故事。这些故事皆生发于明代中后期物欲横流的炎凉社会状况之下,虽是博笑之作,却无一不透露出当时文人的沉思、呐喊与彷徨,有强烈的荒诞化倾向。文章从作品的情节、语言、主题、体制等四个方面,探求其中展现出来的荒诞色彩,并从当时的社会背景、社会思潮、作家创作观念三个方面,探索了这一荒诞剧作的创作动机。
Among the various legendary plays of the Ming Dynasty, Shen Jing＇ s Bo Xiao Ji describes ten different stories widmut internal logic connection with twenty-eight plays. All these stories came into being under the mate- rialistic social condition of the middle and late Ming Dynasty. Although this work was just for entertainment, eve- rything revealed the meditation, shout and hesitation of the literati with the tendency towards a strong absurdity. This article explores this work＇ s absurdity from four aspects of plot, language, theme and structure. At the same time, the author further explores the creation motive of this absurd drama from three aspects of social background, the social trend of thought and the writer＇ s creation concept.
出处
《东华理工大学学报（社会科学版）》
2013年第2期162-166,共5页
Journal of East China University of Technology(Social Science)
基金
2011年度教育部人文社会科学研究青年基金项目<明清传奇改编研究>(11YJC751070)的阶段性成果
关键词
明中后期
荒诞
沈璟
《博笑记》
the middle and late Ming Dynasty
absurd
Shen Jing
Bo Xiao Ji
