摘要
气韵观念之所以具有广泛的普适性和强大的生命力,在于它是对艺术神态的准确把握和捕捉,且有着深广的根源。气韵体现了乾易、坤简的天地之道,反映出能与式、酒神精神与日神精神等对立二元的统一。它与人类的性别之分及本能的审美取向密切相关,甚至可以追溯于性染色体。从人类心灵角度看,其向外发散的要求自我实现系列占优势是气胜,向内收敛的要求和谐整一系列占优势是韵胜,由此可以简明地区分壮美、优美、弱美和丑四种基本的审美形态,在深层次上解释艺术形态发展嬗变的周期。
The concept of Qiyun has wide universality and strong vitality, owing to its accurate capture of artistic expression and rich origins. The concept embodies the unity of binary opposition between heaven and earth,stillness and action,Dionysian Spirit and Phoebus Spirit. It is also closely connected with the gender distinction of human beings and their instinctual aesthetic tendency. And it is even traced back to sex chromosome. From the point of view of the human mind, the predominance of outward demand for self-realization manifests itself as the superiority of Qi, whereas the predominance of inward convergent demand for harmony and unity symbolizes the superiority of Yun,and four aesthetic forms can be deduced to explain the evolvement of artistic forms.
出处
《徐州工程学院学报（社会科学版）》
2013年第4期39-43,共5页
Journal of Xuzhou Institute of Technology：Social Sciences Edition
基金
教育部人文社会科学规划项目"中国传统美学气韵范畴的来由
涵义和现代活力研究"(08JA751041)
关键词
气韵
哲学
天地之道
性别差异
心灵结构
Qiyun
philosophy
natural law
gender difference
mental structure
