摘要
民间审美在20世纪文学现代性转化过程中具有极为重要的价值和意义。本文以汪曾祺1940年代的小说创作为个案,分析论证其早期审美意识的民间性生成是决定其现代主义选择和认同的根本性因素。
Folk aesthetics is of important value and significance in the transformation of the modernity of literature in the 20th century. This paper takes Wang Zengqi in 1940s as an example to show that the folk origin of his early aesthetic consciousness is the fundamental factor of his selection and identification of modernism.
出处
《中国比较文学》
CSSCI
北大核心
2013年第2期38-48,共11页
Comparative Literature in China
基金
山东省社会科学规划项目<民间文化与中国当代小说形态>的部分内容
