摘要
20世纪的中国美学研究,除了极少数的美学著作涉及中国的本土审美实践外,基本上是一种"理论美学研究",而且主要是在西方理论话语基础上的研究。因此,进入21世纪中国美学需要突围,需要创新。创新的要诀在于寻找独特的审美文化的自有密码,而不是刻舟求剑似地运用别人在自己经验之上提升的理论,特别是所谓放之四海而皆准的普适性理论来解释不同文明的审美实践。我们认为,"器物美学"的提出,可以促使目前中国美学研究重视人类审美活动史上极为丰富、极为特殊的中国式美学存在的新天地。
Except for few works of aesthetics dealing with China's native aesthetical practice,China's aesthetics research in the 20the century is basically a theoretical aesthetics research which is mainly based on the western aesthetical theory.Therefore,with the coming of the 21st century,China's aesthetics needs to make breakthrough and innovate.The key to innovation is to look for the code of its unique aesthetical culture,but not use some universal aesthetical theory to explain aesthetical practice of different civilizations.In our opinion,the ware aesthetics may cause China's aesthetics research to attach importance to the existing new world in China's aesthetics which is extraordinarily rich and unique in the history of human aesthetics activity.
出处
《理论学刊》
CSSCI
北大核心
2012年第9期115-122,128,共8页
Theory Journal
关键词
中国美学
困境
突围
器物美学
审美实践
文化密码
China's aesthetics
difficult situation
breakthrough
ware aesthetics
aesthetical practice
cultural code
