摘要
鉴于部分格律体新诗作品节奏美并不强的现实,本文追溯了西方音顿体系节奏和音步体系节奏的本源,发现汉语诗歌是典型的音顿体系节奏而不是音步体系节奏,而我国新诗格律的"顿数整齐论"和"音步对称论"是受西方音步理论影响而形成的,因而导致了部分作品节奏美不强;汉语诗歌必须回归音顿体系的正轨,才能完备地实现汉语诗歌节奏美。汉语音顿体系诗歌在创作中形成了具体形式法度,可供创作者借鉴。
Given that the rhythm of some Chinese new metrical poems is not so beautiful, this paper traces back to the origin of western music rhythm and meter system and finds that Chinese poetry has a typical syllable-pause system rhythm rather than a sound foot system rhythm. However, ＂the theory of neat pauses＂ and ＂the theory of foot symmetry ＂of Chinese new poetry are influenced by the Western foot theory, because of which, the beauty of the rhythm of some poems is not so obvious. Chinese poetry must revert to syllable-pause system, in order to per- fectly realize the beautiful rhythm of Chinese poetry. The creation of poems in Chinese syllable-pause system forms a specific pattern, which can serve as a reference for writers.
出处
《常熟理工学院学报》
2013年第1期22-28,共7页
Journal of Changshu Institute of Technology
关键词
节奏
节奏支点
音顿体系
rhythm
rhythm fulcrum
syllable-pause system
